Friday, September 4, 2009

Battle Royale



So far, before the night is over, I will have only seen this film once. I saw it shortly after the turn of the millennium in my brothers old apartment in Athens. At the time I was very big into gore driven entertainment in films and I had heard that this one was pretty messy, and it seemed to have a huge following in the underground circuit of Asian cinema on the Internet and from Nathan. I rented it from Vision video and watched it while my brother was out doing his paper route, at least I think that's the job he had at the time but, I could be mistaken. This film had a large impact on me emotionally and possibly because, I was still in high school and I wasn't prepared for such drama to pour out of a such a gore drenched film. I wasn't prepared for such a masterpiece to be laid out in front of me for my viewing pleasure. I didn't find myself intrigued with the amount of blood flow, I was captivated by the great amount of emotion I felt towards the characters in this film no matter how short their role or how little the audience was intended to see of a certain character. I hardly ever read manga but, I'd be willing to read these if I had an easier access to them. I only dare guess how much more story is covered or how much farther the drama is dragged out in the manga the film is based off of. And I'd only start reading manga due to a select few films that I've seen based on several films I'd seen that were originally manga and hopefully get around to reading the original book.

At the dawn of the new millennium, Japan is in a a state of near-collapse. Unemployment is at an all-time high, and violence among the nation's youth is spiraling out of control. With schoolchildren boycotting their classes and physically abusing their teachers, a beleaguered and near-defeated government decides to introduce a radical new measure: the Battle Royale Act Overseen by former teacher Kitano (Beat Takeshii Kitano) and requiring that a randomly chosen school class is taken to a deserted island and forced to fight each other to the death, the Act dictates that only one pupil is allowed to survive the punishment. He or she will return, not as the victor, but as the ultimate proof of the lengths to which the government is prepared to go to curb the tide of juvenile disobedience. Forty-two enter only one will leave and there's no telling what will happen to the other before victory is achieved by that one.

The film is full of dark humor, especially Kitano's character. The simplicity in which he executes his one liners in the film is just genius probably without him even knowing he had just done something incredible. Kitano's character is both ruthless and lovable all at the same intervals and some will hate that more about his character and some will ponder the thought, "He's not that bad of a guy is he?" As for the students morally one would watch this film and admit that not every single student deserves this horrible punishment. The ones that didn't deserve it are quickly knocked off the playing field by either committing suicide or being caught up in the cross fire of someones wrath. Nonetheless, it's a very powerful gripping story. It hurts me to watch these young boys and girls have everything they ever had hopes or memories with one another torn asunder by their friends. Hopes of growing old, living, going to a good school, love, just thrown away in the worst possible way. Whom ever comes out on top of the game will never live with themselves the same way again obviously so why even continue? What could possibly, if at all, keep the spirit of a kid who has just murdered every friend they could have ever made growing up live after that?

trailer

Sunday, August 30, 2009

Haze



At first I thought that I would never see this film because it only came around to festivals and it was on a region pal DVD. But, that's to the wonders of the internet I was able to see it with French subtitles. And because, I'm so incredibly hardcore I watched the 48 minute masterpiece twice. Once, to see it through the whole thing and twice, to translate on an online translator what an idea what the subtitles were saying. I got a pretty good idea. But, I do not doubt my ability any longer to find anything that I'm looking for on the internet. When it comes to obscurities such as a short film by Shinya Tsukamoto I'm going to go after it like a murder case. The quality wasn't bad it was ripped from a European DVD and it was a very relieving goal to check off my list. It only irks me that stuff like this is so hard to see for fans like me. They should at least have it somewhere to maybe pay a dollar to watch it online. It was a difficult task to find a copy of Faster, Pussycat! Kill! Kill! and Drawing Restraint 9 on the web just to watch these films.

A man wakes up to find himself locked in a tiny, cramped concrete room, in which he can barely move. He can't come to remember why he is there and where he came from. He has a large wound which hinders his movement around the corridors to his stomach and is slowly bleeding to death. He begins to explore the narrow confines of his prison and crawls around the maze-like room, only to run into dangerous mouse-like terrain and sees horrible visions of Hell waiting for him at each end of the room. Finally he gives up on the struggle and collapses in exhaustion. Then he begins to remember images from his past. Clinging to these images he creeps forward with the last ounces of his strength and meets a woman in a place that stinks of rotting corpses. The man and the woman both try to recall where they came from, but their memories are so uncertain that they are not even sure they want to return. The man is ready to give up but the woman insists on going forward. Neither of them can imagine the incredible end to the journey.

Not just because it was such a hard film to get a hold of and see and I'm not 100 percent certain what all was said, this was easily one of my favorite Tsukamoto films. The film is horrifying for anyone watching it. Combining all the worst elements you can put into a horror film or a real life situation: Darkness, confusion, bleeding to death, mutilation, grizzly images, claustrophobia, lack of air, not being able to move, indescribable noises. I find it fun to watch a foreign film and not knowing what is said completely and try and guess on my own what's going on. Truth is though, the characters in the film could have said nothing during the entire movie and you would have gotten the idea of what they were thinking or trying to say. Shinya Tsukamoto's 'horror' in his films are similar to the feeling that David Lynch's films give me. When a scare comes into view it stays with me forever and bothers me for hours or even days on end. It's not easy to get some of these images out of your head, and it scares me further to think that someone can think this up but, it's art right? An excruciating film to watch and a well thought out idea from one of the greatest film directors the world is ever going to know.

trailer